Natasha Myers’ work is grounded in a thinking through of feminism as a political theory of the asymmetries of power in relations not only between humans but also between humans and the “more than human” world.  Much of Myers’ work explores the possibilities of an aspirational episteme in service to plant beings, termed the Planthropocene.

Quimera Rosa’s approach to feminist research emphasizes a transversality and embodiment that challenge fixed notions of identity, scientific objectivity, and epistemic universality.  They use art as a medium with which to build collaborative relations between feminist arts and science.  Locating a foundational dualism of Western thinking in the constructed boundary between nature and culture, Quimera Rosa works to deconstruct this normative dualism through the notion of the cyborg.